Which cinema did you visit last weekend? Which shows have you attended among the recent releases? How good was the movie?
These are among the myriad of questions we are asked everyday by the innumerable acquaintances we come across. One of these, namely, the latter grabbed my attention recently. What, indeed, is a good movie?
What defines a cinema experience? What are the most defining moments in a cinema? In a world of duality, where every patron has a corresponding detractor, where every yin has its yang, how does one call a work of art good or bad?
Many scholars skillfully present the relative views of the human mind as the cause for all judgement, movies included.
The Assassination Attempt |
But i beg to differ, we are all humans, granted. But being so, all of us have our own soft spots - affection for a loved one, loyalty towards friends, condescending love towards a dear pet, so on and so forth. It is these soft spots that when touched (or not) give us the true taste (or lack of the same) of the cinema show. Like a skilled carpenter that instantly finds the soft spots of the log he carves, a skilled director instantly recognises the soft spots of his audiences and connects with them. Now, from the other side of the road, when it comes to judging films as an audience, it is the way in which the movie touches our soft spots that defines our experience. It is these that create a lasting impression in our mind.
Prince Albert jumps before the Queen |
Recently, I was watching 'The Young Victoria', which - self-declared movie connoisseur of considerable class that I am - is not the best of movies one would come across. But, I will remember that movie for a long time, if not forever. Well towards the end of the film, the monarch is shown touring her kingdom when a wayward detractor attempts to assassinate her. At that very instant, far away in Buckingham Palace, the hairs on the Queen-mother's arm stand up. Duchess Victoria of Kent, mother of the monarch, is suddenly tense.
The Duchess of Kent |
Time stood stil for that infinitesimal fragment of a second. Somewhere deep down, from the innermost corners of the mind, I heard a silent 'Ah!'. I had seen a magnificent example of cinematography. All this within a second's time. In another such instance, in the movie 'Kung-Fu Panda 2' director Jennifer Yuh has fabulously visualised the moment when Po the Panda attains 'Inner Peace'. He does an elegant Kung-Fu movement while moving a droplet of water around his arms while a flood of troubling memories from his childhood rush past. In the end, he let's go these memories even as the droplet gently tips onto the leaf of a sapling near the Panda. In that single moment, time once again seems to stand still while we feel a deep sense of inner peace. It is then that we are truly satisfied.
Ajit, fantastic piece. I liked the way you have described "moments that make a movie". These moments are the director's touch to make the narrative connect with his/her customer (movie goer and the connoisseur).
ReplyDeleteIn my opinion, it is the "whole" rather than the "moments"; the "story" rather than the narrative; the "song picturisation and its relevance to the story and plot; among others that make for a fantastic experience. In the end, I like to think whether the film that I just watched is a "movie of the year" or a "movie of the decade" or the "movie of a lifetime". Others are just slotted (in my mind) as 'good' or 'bad'. I felt back when I was in college and watched "Sholay" in 70mm in a large cinema in Hyderabad that that movie was the movie of a lifetime. Immediately after watching it, the entire movie seems to rewind in my mind and keeps me occupied. I felt the same after watching "Titanic", "Lagaan", "A Wednesday" among others. This is my personal experience. Just thought of sharing with you.
Thanks for tagging me in your blog post! ;-)
Nicely written...and yet, in today's world we see that the ones which are advertised magnanimously (with a river of money) are sadly the ones that gain popularity.
DeleteAnd it creates a vicious effect as the directors/producers who might not have sufficient funding for making the movie let alone advertising end up scrapping their projects which might actually have been an excellent piece of art.
A tough world to live in...
Uncle Raj, truly spoken. But I refer here to the parts which rest for some considerable time in the viewers' mind. So your 'good' and 'awesome' ones are both definitely included, as long as they have certain 'Ah!' inspiring moments! :D
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